Tag: distance

  • Why Do Artists Care About Ratios More Than Measurements

    Why Do Artists Care About Ratios More Than Measurements

    Let’s start with some pedantry. Yes. I know that ratios are a type of measurement. What I mean is that artists care more about the relationships between details more than they care about the unit measurements.

    You might recognize this shape as the Golden Spiral, which is born from the Golden Ratio which, itself, is created from triangles adding up in ever-increasing size.

    Take a close look in the middle. You’ll see a small triangle with another triangle right next to it.

    Then a third triangle with the same length side as the lengths of those two first triangles put together.

    Then a fourth triangle is added with a single side equal in length to the first three triangles.

    On the process goes.

    The relationship of the new triangle to the ones that come before is the Golden Ratio (1.618).


    Notice we didn’t talk about what the size of the beginning triangle is. 1 inch? 1 foot? What’s the measurement?

    We don’t care.

    The interesting part of the ratio is the relationship between the triangles. This pattern exists within the ratio of the triangle separate from the lengths.

    The pattern shows up regardless of the scale.

    This spiral can show up in a tiny seashell, in a sunflower, or wood shaving.

    No matter what the size of the medium, it’s the ratio of the pattern that stays constant.

    What Does This Have To Do With Artists?

    You might have heard about the Golden Ratio showing up in art, architecture, sculpture, photography, etc because it’s inherently beautiful.

    Whether that is true or not is a different article.

    The Golden Ratio means something to artists because artists are often dealing with ratios and the whole relationship of the parts to the whole more than they are concerned with a specific unit of measurement.

    When you’re making a portrait, the first two points you put on the canvas define the ratio of all the other points of interest in relationship to the distance you created with the first details.

    This is a game of ratios that’s defined at the very start of the process. #NoPressure

    Ratios Gone Wild

    It might help to look at obviously wrong examples to understand the “right” way of thinking about this.

    The wrong way? Caricatures.

    How in the world can you instantly recognize who its supposed to be?

    The nose is way too bulbous. The forehead way too big. The eyes way too small.

    It shouldn’t look like anyone.

    But it does.

    It looks exactly like Bill Murray.

    Why?

    The ratios.

    All the relationships between the details are correct, even if the details themselves don’t make sense.

    Artists are constantly playing with the space between details, and that’s really where the magic of the likeness comes through.

    This is why artists care less about what the detail “is” and more about how & where it fits in with all the others.

  • 10 Body Language Tips

    10 Body Language Tips

     
    So-called “Body Language Experts” are especially common around election time. News programs love having them on to dissect every nuance of the politician’s delivery.
    Too bad it’s almost all crap.

    As you can see here, he touched his nose which means he most likely had eggs for breakfast, which means he’s probably going to endorse military action against the penguins in Antarctica.

    That’s an exaggeration, but you get the point. There’s no way that a momentary gesture, by itself, is going to tell you anything about their intentions, what they had for breakfast, or anything like that.
    I feel like most people who write about body language make too many leaps of logic, and wind up in pseudoscience territory right alongside NLP.
    Truth is, humans are already pretty good at understanding the nonverbal part of the communication equation, which is why texting is so frustrating. Texting limits the channel to only the words at the expense of being able to include tone, volume, eye contact, etc.
    With that in mind, here are some tips on how to be an even better communicator by making some small tweaks to your in-person conversations.

    1. Control Your Hands

    In high school debate class my instructor told us, “Beware of using too many two handed gestures.” His point was to use gestures to intentionally underscore your message. If you use a single gesture too much, it becomes distracting as people start to wonder why you’re awkwardly holding your hands like that.
    An extension of that is be mindful of how energetically you’re “talking with your hands.” I can’t tell you how many times someone gets excited and starts flailing their arms at a networking event only to backhand someone standing behind them. Suddenly the conversation is now focused on apologizing to the new person; not connecting with the potential business partner.
    You can still show enthusiasm and excitement, just be sure to rein it in when you’re in a crowded party.
    vma flail

    2. Be Open

    You might be an introvert who is more comfortable at home by yourself with a book, and now you’re stuck talking with actual human beings. Ugh.
    In an effort to protect your sanity, you fold your arms because it “just feels right.” Problem is, that feeling is coming at the expense of being able to connect with the person you’re talking with.
    It’s literally the opposite of “welcoming someone with open arms.” You’re telling the other person their presence is unwanted, and you’re not comfortable with their being near you.
    Put your arms down.
    not sure

    3. Be Congruent

    As a mentalist & magician, my job involves lying to people, so I know what to look for in others.
    The tell-tale signal is not too little or too much eye contact (as most people believe), but inconsistent behavior that is out of alignment with the message as a whole.
    It’s like someone saying, “I love you!” with the right voice inflection, but their fists are clenched. Or, nervous fidgeting when they’re supposed to be relaxed.
    Whenever it’s very important to communicate an idea, make sure everything you’re doing supports that message. Any one piece out of alignment will undermine your effectiveness.
    HBO angry fine unconditional love

    4. Lead With Your Heart

    This goes along with not folding your arms. If you want someone to feel like they can trust you, lead with your heart. Open your arms, and put your chest forward.
    This is an incredibly vulnerable position, and it’s incredibly disarming for the other person to see you in it. My friend David Hira told me this secret, and he’s one of the most likeable speakers I’ve ever seen work. This is one of his most valuable tools; use it wisely.
    indiana jones and the temple of doom

    5. Don’t Slouch

    Bring to mind the textbook teenager who is completely bored & would rather be anywhere else but here. How is he sitting?
    Chances are the person in your mind is practically melting out of his seat.
    Slouching is basically your body’s way of saying, “I’m bored out of my mind, and I’d rather be anywhere else.”
    EditingAndLayout bored alan rickman boring galaxy quest

    6. Check In With Your Eyes

    Researchers have determined that 3.2 seconds of eye contact are ideal. Anything less tells the other person you’re not at all interested, and your attention is somewhere else.
    Looking into someone’s eyes as you talk with them allows you to check in with them, and them with you.
    On the other hand, you don’t want too much.
    Anything longer than 3.2 seconds is taken as aggression.
    Think about someone about to get into a bar fight. He’s going to stare straight into the eyes of his target in an attempt to intimidate them.
    Excessive eye contact is well understood in the animal kingdom as a threatening gesture. Don’t use it in the boardroom on accident.
    America's Got Talent love wow omg feels

    7. Be Still

    There’s something I like to call the “signal to noise ratio.” The message you’re trying to send is the signal, and anything you do that doesn’t support that message is noise.
    Fidgeting is a prime example of pure noise.
    Just like too many double handed gestures can be distracting, digging at your cuticles, twisting your hair, or whatever nervous habit you have will actively undermine your ability to connect with other people.
    Fidgeting tells the other person you’re anxious, you’re uncomfortable, or that you don’t trust them.
    None of those scenarios play out well for you.
    art movies black and white smoke smoking

    8. Fix Your Thinking Face

    You’re deeply engaged with what someone is telling you, and you’re actively onboard with them.
    The problem is your thinking face.
    Too often when you’re judging the merits of a decision, your face says you’re judging the person.
    Your eyes narrow, your forehead wrinkles up, the corners of your mouth turn down as you play mental chess with the proposal.
    You want to be known as someone who is thoughtful, not overly critical. Relax the scowl!
    America's Funniest Home Videos baby laughing afv side eye

    9. Shake That Sweet Spot

    Just like there’s a happy medium with eye contact, so too is there a sweet spot for handshakes.
    Too weak and you’re seen as lacking confidence.
    Too strong and you’re seen as overly aggressive.
    It’s an important moment. Don’t rush it, and it’s important to do it right.
    mrw someone meeting handshake interests

    10. Know Your Place

    Are you, or someone you love a close talker? Do they not understand the concept of the personal bubble? Can you count the number of pores on their nose as they release day-old coffee breath straight into your face?
    Close talking is a serious issue, so see a professional communication coach today!
    Different cultures have different tolerances for personal space, so make sure you’re not erring on the side of too little. I can’t remember a single time I was talking with someone who stood too close and thought, “Boy, I wish they’d be even closer!”
    Sure, it might be a crowded networking event and we have to be packed together, but if there’s space to spread out, do it.
    close

    All Together Now

    As the saying goes, “Knowing you have a problem is the first step towards fixing it.” Sometimes we don’t even know we’re making these blunders until it’s too late.
    Ask your friends to tell you honestly if they’ve noticed you doing any of these, and you might be surprised at how many they check off.
    Or, if you’d like 1-on-1 coaching, having a professional communicator evaluate your skills is a phenomenal way to jumpstart your progress. Let’s talk!